Say Hello to Our New Student Intern!

Hello! 

 

My name is Alana Okonkwo and I am a Stanford Undergraduate studying Archaeology and African & African American Studies. I am a student researcher for the MSCAP project. I help support Kim Connor with re-categorizing glass tableware and containers and digitizing our artifact cataloging forms. 

I joined this project to learn more about artifact analysis and to understand the important role that glass played in the daily lives of Chinese immigrants and Chinese Americans at Market Street. I love thinking about the stories that each bottle holds, from its creation to its use to its deposition. One of my favorite parts of this project has been transcribing the embossed marks on bottles to determine what their original contents may have been. I would like to continue researching the contents of the bottles to understand consumption amongst the community members who used these bottles!

This is one of my favorite artifacts so far, it’s from a bottle of medicinal bitters!

Though this is only my fifth week working on the MSCAP project, I have already learned so much about glass manufacturing techniques, typologies of glass finishes, and the conservation challenges that archaeologists face when working with glass. I hope to continue making blog posts that shed insight upon the new things that I learn! 

 

Until next time,

Alana

Preserves in the Past

I’ve been busily digging through the glass again after coming back from the winter break and, as a keen preserver and jam-maker, I was intrigued by two fragments in particular. 

Wax Seal Glass Jars 

The first one looks like this: 

A blue gloved hand holds a piece of aqua glass which is curved and has a deep grove in the middle

It’s part of the rim of an aqua canning jar with what’s called a groove ring wax seal finish. The finish is the part around the opening of a glass vessel and particular types of finish are associated with particular types of closures. An external thread finish, for example, is commonly used today on jars which have screw on metal or plastic lids.

Since finishes can be quite distinctive, it is sometimes possible to use them to infer the date or contents of a glass bottle or jar. In this case, we know that wide-mouthed vessels with a groove ring wax seal finish are canning jars, sold either for home preserving or sometimes with contents inside them.  

The groove ring wax seal finish was closed by putting melted wax in the groove and then placing a metal or glass lid over the top of the jar and pushing it into the wax to create a seal. To see some whole examples, take a look at the canning jars section of the SHA Bottle Identification Website. 

This type of jar was in use for much of the nineteenth-century and even into the twentieth century, but they were most popular from the 1850s to the 1870s which means there is a good chance that this jar was used by someone living at the Chinatown. 

Packer’s Tumblers

When I was little I remember visiting friends’ houses and being fascinated by plain drinking glasses decorated with colorful cartoon characters. Their lives as drinking glasses was actually a reincarnation; the jars were sold originally for their contents. Filled with jam or peanut butter or other spreads, the jars were designed to be attractive enough for pocket-conscious consumers to repurpose as tumblers. It’s not hard to imagine kids trying to finish off the last of the grape jelly to be able to collect the next character in the lineup! 

The earliest ‘packer’s tumblers’, as they’re known by archaeologists, were more utilitarian in design with no decoration or maybe simple flutes or a few lines of fine vertical ridges beneath the rim.  These vertical lines are a sign that the jar used a particular type of lid called an Anchor Cap closure which was introduced in the 20th century. 

In the Market Street Chinatown Archaeology Project collection, I’ve just found our first packer’s tumbler which is a little bit unusual with five lines of these vertical ridges (1-3 lines is more common). Probably in use between 1908 and the 1960s, this jar reminds us of the site’s history after the catastrophic fire in the Chinatown and points to a gradual shift from home-preserving to purchasing packaged food products. 

 

a picture of a broken glass jar on a laboratory table with a sorting tray beside it. The jar has five rows of small vertical lines which start about 1.5 cm below the rim.
a gloved hand holds the packer tumbler on an angle so that the lines of ridges are more easily seen. This also reveals that the glass has some patination, so there is a kind of rainbow reflection on the surface of the glass.

For more information and other examples of this type of jar, check out this post on the MSU Campus Archaeology Program’s blog called Not Ready for this Jelly Juice Glass or the examples of packer’s tumblers from the Diagnostic Artifacts in Maryland site. 

New Glass Analysis Project

Hi all, 

My name is Kim Connor and I’m the new Postdoctoral Scholar on the MSCAP project. This year I’m going to be working on re-cataloging glass tablewares (cups and other vessels used for consuming food and drink) and containers (like bottles and jars) and beginning to analyze them. I’m very excited to be working on the project and am hoping to occasionally post some of the cool things that I find as I’m working my way through the material. Here are a couple of my favorites from the last few weeks! 

 

 

This seal would have decorated the shoulder of a bottle full of absinthe made by Edouard Pernod in Couvet Switzerland between around 1827 and 1910.

The base of this bottle is embossed AB&Co. We don’t know who this maker was, although bottle collectors suggest it might have been European from the 1860s to 1910s. This bottle might have held beer or wine.

On the base of this bottle you can see a perfectly round valve mark because this bottle was made by a machine, meaning it probably dates from the 20th century, after the Chinatown had left the site.