
The Market Street Chinatown Archaeology Project is holding another Public Archaeology Event on Sunday, February 26th! This hands-on event is designed to introduce children from 4 to 12 and their families to archaeology. Children will participate in “mock” excavations and study authentic archaeological artifacts to learn about San Jose’s hidden history. It is a fun and educational event for the entire family! This event is FREE and open to the general public.
Free Public Archaeology Event
Sponsored by the Stanford Archaeology Center and History San José
When: Sunday, February 26th, 2012, 11:00PM to 4:00PM
Where: Peralta Adobe at the San Pedro Square Market
175 West Saint John Street
San Jose, CA 95110
For directions and more information about the Peralta Adobe site, please see History San José’s website (http://www.historysanjose.org/plan-your-visit/peralta-fallon-historic-site/).

The event on February 26th is the fourth Public Archaeology Event that we have put on with History San José. This is the last event at the Peralta Adobe for 2012, so come, stop by and enjoy an educational and fun afternoon for the whole family!
If you cannot make it on February 26th, we have two additional Public Archaeology Events scheduled for this spring:
April 29th, 2012
May 20th, 2012
Both of these events will be held at History San José’s History Park (http://www.historysanjose.org/plan-your-visit/history-park/directions-to-history-park/).
If you have any questions about the event on February 26th or our other events in the spring, please contact Megan Kane (mskane@stanford.edu).


The specific project I am currently involved in is identifying, organizing, researching, and cataloguing of Chinese and European ceramics excavated in the late 1980’s from the Market Street site. One of the aspects of ceramic analysis that I find myself increasingly drawn to and fascinated by is the study and identification of “maker’s marks.” Because our sample of ceramic artifacts is so large and diverse, we have large collections of both Chinese and European manufactured pieces, with maker’s marks ranging from Chinese characters and symbols, to European family crests with gothic Anglicized lions, and even Unicorns! I think the study of maker’s marks is incredibly interesting because they present the opportunity to place an artifact in a specific chronological context which we as archaeologists can use to understand the social, cultural, and commercial climate of a community and settlement. But to me, they also represent an aesthetically appealing connection to an individual persona and to a greater trade network. Maker’s marks personalize ceramic pieces and designs, and embed memory and connectivity within them.