Preliminary Results of Bottle Residue Study

Hi everyone!

We have an exciting update on the very first results from the Market Street Chinatown Archaeology Project’s Glass Bottle Residue Pilot Project.

In January, the project shipped 15 glass bottles (of different shapes and sizes) that at one time likely contained beer, liquor, Euro-American patent medicines, traditional Chinese medicines, personal hygiene or grooming products. Many of these bottles are of distinctive shapes associated with certain types of products (see here for examples), while some are embossed with the name of the either the manufacturer, the name of the product it contained, and/or the purveyor, all of which (with the help of guides or archival research) can provide clues as to what the bottle contained at the time of its purchase and use.

However, what do we do when we have a glass bottle, but no embossing or mark? What if the vessel form does not provide clues as to what it held? Even when we have embossing and information on what the bottle contained at the start of its circulation within the Market Street Chinatown, how can we find out what exactly those products were made from? Finally, when emptied of their original contents, how can we find out if these bottles were reused for different purposes than they were made to fulfill?

One way of addressing these questions is through various forms of residue analysis employed by archaeological scientists! In January, Marguerite De Loney, a Stanford PhD student in Archaeology working with the project, pulled 15 glass bottles from the Market Street collection with some type of residue -sometimes powdery, sometimes liquid- still inside of them. These bottles were sent to the University of Idaho Department of Analytical and Environmental Chemistry, where Dr. Ray von Wandruszka and collaborators are carrying out a pilot analysis project of the residues in these bottles in order to identify what was in them, and/or how they were being used at the time of their disposal.

While this project is just getting started, we have some preliminary results on the contents of one large, brown bottle (see pictures below). As you can tell from the photos, the bottle is embossed with “San Jose Bottling Co. C. Maurer.”

Documentary research by Dr. von Wandruszka has determined that it is likely a beer bottle, made for the Fredericksburg Brewery of San Jose (1867-1918; see here for blog posts about the history of this brewery) by C. Maurer (later C. Maurer and Sons) San Jose Bottling, Co. (see here for PDF of 1905 San Jose Directory that lists C. Maurer and Sons Bottling Company).

This is where things get REALLY interesting: As you can tell from the photos, the bottle still has its original, resealable porcelain closure in place. What you CAN’T tell from the photos, is that this bottle contained a decent amount of thick, slightly cloudy, viscous fluid that was contained by the closure and preserved for at least 126 years! Could this be the last unwanted sip of a historic San Jose local brew?!

Well, not exactly. Dr. von Wandruszka sampled this fluid and determined a few things: It’s combustible, soluble in hexane, and infrared spectroscopy analysis (one of the best analytical techniques for organic residues of this type) has determined that it is made up of fatty acids and/or esters. In other words, this fluid is NOT beer but most likely cooking fat! While they are still trying to determine if it is vegetable or animal fat (they are betting on animal fat), what is clear is that someone at the Market Street acquired this bottle, possibly drank its contents, and then kept it and its useful resealable closure around as a way to store leftover cooking fat rendered from pork or other meats prepared in the kitchen!

These early results really bring home the point that archaeological sciences, in tandem with documentary research can provide us with a much more complete picture of the way in which everyday things were acquired, used, and re-used by the inhabitants of the Market Street Chinatown. It forces archaeologists to consider the extended lifecycles of common (but durable and useful) things like bottles and stoneware food storage vessels that may have been put to creative uses long after their original contents (be it beer, wine or pickled foods) were gone.

Now THIS is how you start a pilot project out with a bang! Stay tuned for more updates and thanks for reading!

 

Thanks to Dr. Ray von Wandruszka and Dr. Barbara Voss for contributing the content for this post. 

Opening Reception for City Beneath the City @ Stanford Archaeology Center

This past Friday, January 11th we marked the official opening of the City Beneath the City Installation @ Stanford Archaeology Center with an exciting, well attended and memorable opening reception.

CBC @ SAC Opening Reception

 

With at least 80 people from the Stanford and surrounding community, news media from the Menlo Park News, National Public Radio, and the U.S. Bureau of the China News Service, the exhibit run is off to a great start!

 

 

Thank you to everyone involved in setting up the installation and  opening reception!

Please be sure to visit the CBC @ SAC webpage for more information on the installation, how to plan your visit to CBC @ SAC and to check out photo galleries of the setting up of the installation, the installation itself, and the opening reception.

City Beneath the City Comes to the Stanford Archaeology Center

Over the last two weeks we here at the Market Street Chinatown Archaeology Project have been working tirelessly to install the City Beneath the City exhibition in the Stanford Archaeology Center.

City Beneath the City was originally organized by the San Jose Institute of Contemporary Art in conjunction with the ZER01 art and technology biennial thematic, “Seeking Silicon Valley.” This exhibition by artist Rene Yung, presented in partnership with Chinese Historical and Cultural Project, History San José, and the Stanford Archaeology Center, presents artifacts excavated from the site of the Market Street Chinatown in downtown San Jose. Rene Yung’s sensitive design connects the daily lives of the people of the Market Street Chinatown to the present day.

This exhibition of Market Street Chinatown artifacts is now getting a second life here at the Stanford Archaeology Center. To bring this artwork to Stanford University, Rene Yung redesigned City Beneath the City into an exhibition suitable for a public passageway. This new iteration of City Beneath the City transforms the everyday spaces of archaeological research into unexpected places for reflection.

CBC Poster
City Beneath the City at the Stanford Archaeology Center

 

 

The City Beneath the City exhibition will be available for viewing in the Stanford Archaeology Center (Building 500, 488 Escondido Mall, Stanford) from January 11, 2013 to April 30, 2013.

We wanted to share some of the installation excitement with you. Take a look below to find photos of the installation process.

 

 

 

 

 

 Installing The City Beneath the City